TMA01 – Northern Lights – To what extent is it a children’s  disc and does it   conform to ‘instruction through delight’ as other children’s   guards does?    I have chosen to discuss Philip Pullman’s  sacred scripture Northern Lights which was published to great critical  laudation in 1995 by the children’s publishers Scholastic and therefore  in the first   john marketed as a children’s book. It was later published with a more ‘adult’ jacket to appeal to older   subscribers although in my view the original cover does not appear to be aimed at any particular sex or   mature group. Perhaps it was only marketed in this way because Philip Pullman was already   recognise as a children’s author. The series is marketed as   modern adult fiction and has the corresponding young heroine and lack of   versed content, but it has a sophistication and dark edge thats   odd in the genre. That same sophistication  reachs it ev   en more   winsome for adults than the average well-written young adult series.    I chose to write an   feed about this novel because to define it as purely a piece of Children’s Literature seems too simplistic and I believe that there are many features of this book that could  postal service it as an adult book too.

 The plot is at   prison term quite complex and the ideas and concepts that are voiced in the book  run it fascinating. Its charm lies in the fact that Pullman does not make the assumption that children do not have the required skills to   present Northern Lights and therefore the text is not patron   ising or vacuous in any way.    Typical exam!   ples of children’s  literature share many features such as themes, characters and plots, such as clear and simple language and possibly a fairy-tale opening, e.g.: ‘ at once upon a time....’ In the case of Northern Lights however, the book starts with the   curse ‘Lyra and her Daemon moved through the darkening hall…’ which places the reader immediately in...If you want to get a full essay,   influence it on our website: 
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